PALOMA BAILEY

Paloma grew up in South West England, in a small town called Tavistock. Her name is derived from the Latin word “palumbus,” which means dove or Holy Spirit, and Paloma Lola Bailey has truly assimilated these into her life.

Paloma’s paintings show us the difficulty of remaining uncorrupted in this world. The works featured center upon aspects of deep personal angst. All artists draw from experience, but with Paloma we find these accentuated.

Struggling with a confined education system, Paloma would leave school soon after A-Levels in order to forge her own path in the world.

With clear influences from Francis Bacon and Picasso, she finds comfort in the desperation of the human condition. She would tell you that these paintings are a representation of what she saw in the people closest to her. Painted in oils, scored with emotion.

Paloma has recently had three children—Samir, Sofia and Isabella—whom her latest work is inspired by. The pieces depict her children while still in the womb, bringing beautiful vibrancy to their most vulnerable state.

 

 

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SADIQ KHAN

The reason that London is the greatest, most creative city in the world can be summed up in one word—Londoners.

Here in London, we don’t just tolerate our diversity; we celebrate and embrace it. Author Zadie Smith says that London is a “state of mind,” and I think she’s right. Being a Londoner isn’t about where you’re born or where you grew up—it’s about who you are and what you stand for. We are a city made up of people from all backgrounds—outward-looking and forward-thinking.

Here, you’re free to dress however you wish, love whoever you want to love and be whoever you want to be. That is a big reason why I feel our capital attracts so many young, talented people and has such a vibrant, thriving creative scene—one that is bursting with color, buzzing with ideas and overflowing with imagination.

Our creative credentials speak for themselves: We’re one of the big four fashion capitals of the world, alongside Paris, Milan and New York. We are the third-largest city for filmmaking in the world, with 40 crews filming out on London’s streets every single day. We are a global center for design and innovation—hosting the world’s biggest design festival. And from David Bowie to the Rolling Stones, Adele to Stormzy, London has always been and will always be a global powerhouse for music. Every night of the week, the West End is alive with the best theater, dance and opera on the planet. Then there are our countless cultural gems, our world-class museums and galleries, our unparalleled history and heritage—the list goes on.

For many people, Soho is the epicenter of creative life in London—with theaters, nightlife and major cultural institutions around every corner. But take a closer look and you’ll see hubs of creativity all over the capital—from Barking to Brixton, Hackney to Croydon, artists are leading the way in shaping their communities. Soon, I’ll be launching the London Borough of Culture—to celebrate creative life in all of London’s 32 boroughs and showcase the great things going on outside of the West End. I’m also looking into setting up a Creative Land Trust, based on a similar model in San Francisco, to help artists and creatives buy their own workspace and put down roots in an area that they helped to make an attractive and vibrant place to live.

Another big part of London’s buzzing vibe is down to its thriving nighttime economy. Now that the Night Tube is up and running, I want to transform the capital into a truly 24-hour city. That’s why I appointed Amy Lamé as London’s first Night Czar last year. She’s working around the clock to champion the capital’s nightclubs, pubs, music venues and LGBT+ spaces as the city continues to grow and develop.

London’s creative appeal extends around the globe, with four out of five tourists citing London’s exceptional cultural offer as their number one reason for visiting. It’s also impossible to ignore the economic clout of our creative industries—contributing £42 billion a year and accounting for one in every six jobs in the capital.

So as you can see, culture and creativity is in London’s DNA. It’s the glue that binds us all together, and from the outest of my mayoralty, I pledged to make culture and the creative industries a key priority.

When the UK voted to leave the EU, I launched a campaign called #LondonIsOpen. I wanted to show the world that, despite Brexit, London would remain open to business, investment, trade and people—regardless of faith, ethnicity, nationality, background, gender, age or sexual orientation.

London’s artists and creatives were the first to respond to this campaign. Artists from Gillian Wearing to David Shirley, Jeremy Deller to Mark Titchner created amazing pieces that reflected London as a diverse, creative capital. I am so proud of the outpouring of support from the city’s creative community for #LondonIsOpen. We’ve had support from the worlds of theater, dance, music, food and literature as we continue to share London’s “state of mind” with the world.

The key to London’s creative energy is our openness to the world. Nowhere else comes close. When the whole world is on your doorstep, amazing things can happen, brilliant partnerships can form and great work is created. It’s these sparks of inspiration that light London’s creative fire—and it shows no sign of going out.

-Sadiq Khan, Mayor of London

 

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Don McCullin

How can one not like Don?

I search his eyes and wonder what is stored on his hard drive. A life spent seeing the injustices of humanity. I call it seeing, not just looking. The word for Don is feeling, which is the same as seeing for me.

Don is often called a war photographer—this is very misleading. “War Photographer” is a great word for journalists to grab a headline.

Don and I are about the same age. He grew up in working-class north London, Finsbury Park, and I in East Ham, through the Blitz. Don was evacuated but apart from that we must have had similar experiences both of us being dyslexic and all the problems that came with it, such as treating dyslexics like they were stupid. As my headmaster told my mother, “Somebody has got to dig the roads.”

We did National Service in the Air Force. Don was told he could not be a photographer and I was told the same, because it would have been impossible for either of us to take written tests.

We both encountered the street gangs, in my case “The Barking Boys.” Three of them beat me up for dancing with the wrong girl (Eileen Wortham), who Terence Stamp had eyes for also.

The Barking Boys left me unconscious in the doorway of a furniture store all night. I was woken up by a very thin tall man who I mistakenly thought was helping me. The next thing I knew he was trying to stick his tongue in my mouth. Out of the frying pan, into the fire. One good thing that came out of all this was I was now protected by the Barking Boys because I had not reported it to the police. No one would complain to the police. They were trusted less in the East End; everyone kept away from them. I’m sure Don had similar encounters. I guess both being put in the Air Force helped us get a new perspective on the way things worked.

 

 

This is a lead-up to the two most important photographs we made in the same year, 1959, on bomb sites, which I suppose was not so surprising, as bomb sites were our playgrounds. We did not know each other. We met a few years later with Terence Donovan, another with similar stories.

Unfortunately, I don’t see Don so much now, but six months ago I bumped into him in a John Lewis department store. He said in amazement, “What you doing here?!” I replied, in even more amazement, with the same question. I would not have been surprised to bump into him in Afghanistan or Sudan, but John Lewis?

I’m so happy to have spent the last 60 years doing what we both could not help doing, something we love. Keep it up, Don. See you in 10 years, maybe in that famous department store.

Love you, Bailey

 

 

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Kate Moss by Ronnie Wood

The duality of life is a constant reminder of the lack of control we have over the universal patterns of nature.

Two subjects:  One picked for culture, the other for love, both for beauty. Ronnie Wood talks calmly with Bailey all the while capturing with ease the essence of someone who we all know— an icon, a name, a face and an archetype of beauty for the modern age. Kate Moss, the name rings with familiarity. It echos over that part of our prefrontal cortex which lights up when a familiar name is mentioned.

David Bailey stands and captures both Ronnie Wood and Kate Moss while Ronnie paints Kate and they chat about the past.  

Later in the day Ronnie and Bailey would capture in two mediums Ronnie’s wife, Sally: One for fashion, two for love. 

The paintings themselves are simplistic, raw and focused more upon the aspect of the subject’s personality rather than that of pure realism.

 

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DANNY FULLER

“Professional surfer artist” is how Danny Fuller best describes his hybrid role as both a big-wave surfer and lensman on the hunt for the world’s most awe-inspiring swells. It’s a journey the Hawaiian native has been cultivating since early childhood, setting foot on his first surfboard at age 5. “All my best friends were professional surfers, and we grew up underneath very talented surfers. We were pretty set on where we wanted to be, and we fed off each other and pushed each other,” says Danny, who was sponsored and competing on a national level at age 10. “By the time I was in high school, I was pretty set on where I wanted to be.”

With his mother’s blessing, a 15-year old Danny moved from his native Kauai to the North Shore of Oahu— “the summit of the proving ground”—to make his mark on the massive barrels of the world-renowned Banzai Pipeline. “I fell in love with the place and wanted to become one of the standouts there,” he says.

By 16 he did just that (“I started getting ahold of some waves that were separating me from some of my peers,” he says), going on to become one of the faces to watch on the big-wave competition circuit, while simultaneously catching the eye of fashion photography heavyweights such as Mario Testino.

“I had the opportunity. I just never really enjoyed doing fashion,” admits Danny, who used his modeling experience fronting campaigns for the likes of Chanel to fuel his own budding photography aspirations. “The entire time that I was standing in front of the camera I was asking the photographers every possible question that I could that would come to mind. …That’s what kept me interested,” he says. Photography had always been a means of documenting his world travels as a surfer; now, he saw it as a form of art— “like painting with light,” he says.

After a move to New York, Danny eventually saw his career in photography come into focus, with his inaugural exhibit at a Chelsea gallery. “Intentionally as a surfer, I kept things separate, like ‘Danny Fuller, the surfer’ and ‘Daniel Fuller, the artist.’ I wanted to be more recognized in the art world and my work to be taken seriously as an artist and to not be kind of known as a surfer that does art, or surf art.”

Today the two passions go hand in hand, with Danny traveling the world in hopes of documenting “the biggest and best waves on the planet.” His ongoing fascination with capturing lunar cycles on camera has also given rise to a number of gallery shows and a book that’s currently in the works. “It’s actually taken me a few years to get to the point of where my work’s at and to be truly content of where it’s at and be really vulnerable as an artist,” says Danny, who now spends his time between Hawaii and California. “You’re putting something out there and you better fucking believe in it, because there are critics out there. As long as you really believe in what you’re doing, you’ll have the strength to continue to do it.”

 

 

HUMANITY: How does surfing influence photography?

DANNY FULLER: I’m a product of my environment, and the ocean has been such a key element in my life. I feel like it’s this vast life force that is a part of who I am, and I am continuously drawn back to it. It’s taken a few years for me to actually understand how my existence as a surfer and an artist kind of go hand in hand, because I’m continuously drawn back to the ocean, which is a very special place for me. I have a very intimate relationship with the ocean.

 

HUMANITY: What compels you to surf?

DF:

It’s part of who I am. People ask me how I surf big waves for a living. I love getting out of my comfort zone and getting into that place of fear, and pushing beyond that. People ask, now that you have kids are you going to continue to do what you do? I don’t know. Any normal human looks at what I do and thinks I’m insane, but it’s part of who I am, and without that I wouldn’t really be myself. Now I physically and mentally prepare myself more for those situations as opposed to just being carefree.

 

HUMANITY: How do you push past that point of fear in the water?

DF:

Psychologically, there are people who can be faced with a life-threatening situation and the only way to survive is to stay calm. Everything inside is telling you to run but you manage to hold the line and actually put yourself in a position and take that wave. It’s a moment of a split-second decision that I cannot really explain. It’s like a huge adrenaline hit. There are times when you run, but then there are times when you mentally prepare and visualize those situations from in that moment, because that’s what shows that you’re actually in the right headspace to seek the moment.

HUMANITY: Is that something you’re born with?

DF: I believe so. I realized at a pretty young age that I was kind of a little different than most of my peers. Yeah, there are many other surfers that are absolutely crazy and do much bigger and gnarlier things than me, but it’s something that’s a part of me. I love it.

HUMANITY: What’s the most life-defining challenge you’ve faced?

DF: My mother fighting cancer. Many of my friends experienced similar cases and were able to kind of shed some light on what I was going through. With something like that you’re just really along for the ride, and you just have to do whatever you possibly can to stay strong and positive and try to get through it. It’s definitely the most difficult thing I’ve ever been through in my life.

HUMANITY: Most important lesson you’ve learned from the ocean?

DF: In surfing you’re not dealing with something that’s fixed, you’re dealing with Mother Nature and continuously moving elements. So it’s probably one of the only things where I can tell you I am truly present in the moment.

HUMANITY: What’s the best piece of advice you’ve ever received, and who gave it to you?

DF: Nobody is going to give you anything and you need to go out there and get it for yourself. My dear friend Strider Wasilewski gave it to me. When I was a teenager he was a professional surfer. I’ve used that as an everyday motto in life, because, as a surfer, nobody makes me go out and surf, and I am very fortunate that I do it for a living. No one’s going to go out there and create for me or no one’s going to go to my studio. I need to actually go out there and do the work and apply myself.

HUMANITY: Beyond surfing, why is it important to you to raise your family between Los Angeles and Hawaii?

DF: Even though I’ve lived in California for so long, Hawaii is ultimately part of who I am, and it’s always nice to be there with my family because I feel like there’s something very special about being brought up in Hawaii. I think you become very grounded and bury yourself in integrity and respect. I like to have that balance, and for my kids to have that exposure of where I’m from, and to develop friendships with people there. It’s a very beautiful quality of life.

HUMANITY: What’s your life motto?

DF: Take every day one day at a time and try to just succeed to the full potential of every day. Live your life with honesty and integrity and nothing but love for everyone around you. Try your best to be the best you can be in whatever shape or form that is.

 

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LUKE STEDMAN

“I was bred into the surfing culture,” says former pro surfer Luke Stedman. “It was in my blood, in my DNA.” The son of revered board maker (and Ugg boots inventor) Shane Stedman of Shane Surfboards, Luke was raised in the water. “I knew more about surfing when I was five years old than I did about anything else,” says the Australian native, who vividly recalls the first time his dad pushed him into the waves (“I was on a little white raw foamie and I remember just getting the most incredible rash on my stomach”). But it wasn’t until his teenage years when the younger Stedman began to view surfing as a career path, and a way to travel the world. “I was okay, but a lot of my peers were better than me,” he confesses. “Going out and getting a job wasn’t really sort of my idea of fun, and surfing professionally was a lot more appealing. So, I took that avenue.”

Looking to gain a competitive edge, Luke not only enlisted the help of technical trainers, but also turned to spiritual and mental guides, too. “It wasn’t very common for the guys to have those sort of coaches,” says Luke. “I was never really expecting to do that well, and with all the wonderful people that were surrounding me and I was working with, I managed to get really good results.” In 2008 at age 32, he placed eleventh in the world.

Retiring from the surf circuit at age 35 (“I’d been doing it for such a long time, and I still loved competing, but I wanted to do something else”), Luke turned his attention to more creative endeavors, splitting his time between Los Angeles and his hometown of Sydney.

But he didn’t hang up his wetsuit forever; today, the father of one regularly hits the waves as a surf instructor for the Muse school in Malibu, teaching budding young surfers how to strategize and overcome mental hurdles in the water. “Surfing is such a personal sort of sport, and at times, when you’re having a rough day, there’s nothing will make you feel better than just going for a surf, getting in the ocean and just getting some salt between your ears,” says Luke. “You could have the worst surf in the world, and come in, and still feel better than you did when you, before you went out. That’s what surfing does for me.

 

 

Why was it important for you to work with both mental and spiritual coaches as a professional surfer?
When I was competing, it wasn’t very common for the guys to have those sort of coaches. But I just knew I needed an edge, just because there were so many guys who were naturally more talented than I was. I felt if I worked with those people, that would give me the edge, I’d be able to use those angles to my advantage. And it really worked, because it wasn’t till later on, I realized that competing was 70, 80 percent mental. It’s such a large portion of why you compete well. So, it sort of changed my mindset a lot. Then I started focusing really, really intensely on a lot of mental of strategies. That’s essentially what gave me the edge, and what allowed me to compete at a high level.

Is that a philosophy youve brought into other parts of your life as well?
Absolutely. Having a strategic game plan, and knowing how to use particular tools and particular situations, and strategize—I just don’t feel people do that very often. It was great to have that learning curve of doing something, and I’ve been able to take those skills away with me and use them in my day-to-day life

Best piece of advice youve ever received?
I’ve heard some wonderful bits of advice, like coming to each moment and each encounter expecting magic, or going in with just an open mind, and thinking the infinite possibility of what may be. I feel like that’s a really wonderful way to sort of lean into everyday work. If you can go in with that mindset, then I feel that really changes things, and that’s been working for me lately. My dad is consistently giving me advice, and it’s all been really good. Half the time, I would often think that, I’d be like, “Oh, it’s just Dad, that’s silly advice,” but then as the years go down the track, he’s actually right, which is frustrating. He would often tell me things along the line of “Never put off till tomorrow what you can do today.”

 

 

In what other ways has your father inspired you?
My dad has a really special energy. He deals so well with so many people, and he’s always smiling. He has a great way of dealing with all sorts of life challenges, and he’s very resourceful. He’s a grateful person, and someone who is always there for you and very supportive. He’s a gentleman. I couldn’t say a bad word about my father. He’s been a huge part of my upbringing, and I value everything that he’s done. I respect him, and I love him dearly.

How has he shaped your own take on fatherhood?
He’s continually there for me for support now, like when I have questions about my son he can relate to me, because he went through the same thing [as a father]. I can ask him questions, and things to be ready for, and how to deal with them potentially when they arrive. Having a kid, you never know what’s going to happen. I feel like he did a great job with me and my family, so I’m happy to ask him and my mother [for advice]. She’s a very special person as well. She has a fabulous take on life, and she’s very caring and loving. I just feel super-blessed with my family. I’m a lucky, lucky man.

What do you consider your greatest personal achievement?
Definitely being a father. My kid is a reminder every day of how special life is. I guess dads say that. It’s a cliché, but it’s true.

 

 

Whats the biggest challenge youve ever faced?
Stopping surfing competitively, and then diversifying onto the next life challenge and going into the workplace. You’re doing what you love, you’re getting paid really well to ride waves for a living, and then having to learn how to read spreadsheets, and work incredibly long hours—and being a complete virgin on most of those things. I loved what I did, and that’s why I became reasonably good at it. So, I had to find something that I loved, and that was a challenge. And now, I found that. It took a bit of time, but it’s well worth it. I’m very grateful for what I do now.

When I started coming off the tour, that’s when I actually studied and got into meditation, and I was reading all these books on philosophy. Every person, whether it was, Deepak Chopra or Eckhart Tolle, they all say meditation was the most powerful thing they did. So, I jumped into meditating, and I’ve been doing that for seven years. That’s a really big part of my life now.

Whats the most important lesson you learned in the water?
Definitely not to take an ocean for granted. That’s probably the number one. You just never turn your back on the ocean. It’s such a powerful place, and it’s beautiful, but it can also turn on you so quickly. It’s one of those places where you never know what can happen out there. 

Now that youre no longer competing, do you get a different sense of enjoyment from surfing?
Yeah, it’s a different sort of love. There are a lot of times when you’re training and sometimes you don’t want to be in the water, and it’s cold and it’s windy. You’ve already surfed twice that day and you don’t want to hop on a plane the next day and go to a place that has really small waves. It can be really trying. You just miss home and you miss family, and it’s exhausting, but it’s still part of a job, and you’ve got to change your mindset and love what you do, and get focused, because otherwise you don’t compete well. And I found with me, if I wasn’t happy when I was surfing, then I wasn’t surfing as well as I could. So, that was a challenge. But now when I surf, I get excited just going out and surfing with Spike, my boy, and pushing him into the waves and seeing how excited he gets. That is probably the finest moment that I get now out of surfing, just watching him surf.

 

 

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